Bassists, I have noticed, seem obsessed with the idea of having a ‘sound’, like it’s a little, powerful daemon that follows each of them about. I think this might translate to an idea of Tone. James has a great ‘sound’. Full, rich, strong; Bit like the coffee he makes every time we invite ourselves round to his for brunch…
Rachel Sermanni
James Banner (1991) was born in Dudley, England and is now based in Berlin and the UK, working as an improvising musician and composer. Current projects include: USINE with Cansu Tanrıkulu, Max Andrzejewski and Declan Forde; commissioning, workshopping and recording new solo pieces for double bass and presenting his solo programme; Borage with Megan Jowett; a Machair Duo with Stephanie Lamprea focusing on commissioning and developing electro-acoustic works in collaboration with composers, including TEXTS, which has commissioned 6 international authors to create new works for the duo plus guests Anna Webber, Liz Kosack, Nick Dunston and Michaël Attias. He also co-curates the bi-monthly improvised music residency Practically Married with pianist Declan Forde at Berlin’s Donau115.
In 2022, he will commission Nick Dunston, Yaz Lancaster and Jamie Elless to develop and document collaborative solo pieces, premiere new works with Stephanie Lamprea in a UK tour, create a book and digital release as part of TEXTS, release and tour the second album how it will be after by USINE (KLAENG Records), debut album by improvising string duo Borage with Megan Jowett (WismART Records), the debut duo album by Practically Married, appear on new albums by Bruchgold und Koralle, Tilo Weber (Five Fauns), Birgitta Flick Quartet, Max Andrzejewski (Mythos), tour Outernational’s Songs of Wounding with Mariana Sadovska and Ext Inc/Remember Me with Aida Shirazi/Emre Dündar, as well as being part of new projects in Hamburg’s Elbphilharmonie (Chor Zur Welt) and in Kammermusikfestival Regensburg (Akademie Theater Regensburg) with Max Andrzejewski. In Autumn/Winter, James will also premiere class-work, exploring the intergenerational meaning and relevance of social class, commissioned for the 46th edition of Leipziger Jazztage, as well as tour his solo programme to Berlin, Salzburg, Paris and Lisbon.
As a performer and collaborator he has worked on projects with artists and organisations such as Podium Esslingen/Quadrature (#bebeethoven), Max Andrzejewski: HÜTTE, Berliner Ensemble (Nibelungen) + Maxim Gorki Theatre (Salome), Outernational (Songs of Wounding with Mariana Sadovska + Ext Inc/Remember Me with Aida Shirazi/Emre Dündar), Tempus Konnex Ensemble (IMPULS 2021), Leipziger Jazztage (Fish and Chips with Anna-Lena Schnabel, Floria Weber, James Maddren, The Floor Is Lava! by Nick Dunston), Musikcentrum Öst Stockholm (Jazz Alloy with Lina Nyberg, Laura Jurd, Daniel Karlsson), Making Music/Sound and Music/PRSF/BBC (Adopt A Composer), soundfestival Aberdeen, Centrala Birmingham (Art and Brexit Talk), Vanguard Manchester/The Arc Project (composition collaborations), Rachel Sermanni (So It Turns recording, UK tour), Vilde&Inga (Berlin Tour w/John Hollenbeck, Toby Delius, Declan Forde) and Stephanie Lamprea (Tiny-works). He performs as a sideperson with Birgitta Flick (Quartet/Septet), Jörg Hochapfel (Bruchgold und Koralle) and Tilo Weber (Four Fauns and Five Fauns).
As a soloist, he has worked with Paula Doepfner on for the trees to drop, a performance/installation/destruction at St Matthäus, Berlin, with speaker at James Turrell’s light-installation at the Dorotheenstädtischer Friedhof, at Ideas of Noise Festival 2020 (commission and premiere of The things my parents said about childhood), as well as solo livestreams with Around The Houses Festival, 5pm Series and Deep Tones For Peace. His current Call For Pieces project has created a community of 25+ composers from around the world, providing free online composition/double bass workshops, commissioning and producing and high quality recordings for portfolios to help professional development, and engaging in workshops in higher education institutions. He released his debut solo album digitally and on limited edition cassette in March 2022, which was featured on SWR2, and which will tour in winter 2022, with dates in Berlin, Paris and Lisbon.
As a first generation state educated student and artist/musician from a working class background, James is committed to using his current platform and privilege to widen representation in his own artistic projects, call for equity (especially in artistic development opportunities and higher education) and increase access to adventurous and original improvised music for young people. He is a workshop facilitator with Make The Paint Dance and visiting lecturer in double and electric bass for actor musicians at Leeds Conservatoire.
“…Banner’s bass alone sounds immensely colorful when played solo and lets tones and their sequences emerge in seemingly infinite numbers of smaller tone fragments. Everything sounds sonorous, warm and with so many unbelievably fine, tonal gradations. Banner shows again and again, without putting himself in the foreground when the band plays together, what enormous variety of sound and richness of color he can express with his instrument…”
Claus Volke
CALENDAR
202
26.10. – Practically Married #38 with Megan Jowett + Toby Delius – Donau115, Berlin
16.11. – Practically Married + João Lopes Pereira – Donau115, Berlin
17.11. – Practically Married + João Lopes Pereira – Holzmarkt, Berlin
20.11. – Practically Married + João Lopes Pereira – Kaiser Wilhelm Memorial Church, Berlin [with Birgitta Flick]
21.11. – James Banner solo – Les Impairs du Lundi @ Studio Caracol, Paris, France
22.11. – Practically Married + João Lopes Pereira – ESMAE Jazz, Porto
23.11. – Practically Married + João Lopes Pereira – World of Wine, Porto
24.-26.11. – Practically Married + João Lopes Pereira – Hot Club de Portugal, Lisbon
1.-3.12. – album recording with Rachel Sermanni
2.12. – James Banner: USINE how it will be after album release on KLAENG Records
12.12. – James Banner: USINE – Open Music, Graz
13.12. – James Banner: USINE – Jazz+ at Seidelvilla, Munich
14.12. – James Banner: USINE – LOFT, Cologne
16.12. – Practically Married #39 – Donau115, Berlin
18.12. – PILED UP by Tanrıkulu – Serious Series, Berlin
22.12. – Ext Inc / Remember Me (Outernational) – Radialsystem, Berlin
2023
25.1. – Tilo Weber and Five Fauns – A Trane, Berlin
26.1. – James Banner: solo – Donau115, Berlin
27.1. – Birgitta Flick Quartet – TBC, Graz
16.2. – Tilo Weber and Five Fauns – TBC, Friedrichshafen
17.2. – Tilo Weber and Five Fauns – TBC, Calw
18.2. – Tilo Weber and Four Fauns – TBC, Neustrelitz
23.2. – Birgitta Flick Quartet – Musikinstrumenten Museum, Berlin
1.3. – Tilo Weber and Five Fauns – TBC, Hamburg
14.4. – Birgitta Flick Quartet – CVJM
21.4. Birgitta Flick Quartet – Jazz am Helmholtzplatz, Berlin
22.4. – Birgitta Flick Quartet – Bunker, Ulmenwall
28.4. – Ext Inc / Remember Me (Outernational) – European Centre of the Arts, Hellerau
17.5. – Tilo Weber and Five Fauns – TBC, Kiel
20.5. – Tilo Weber and Five Fauns – TBC, Offenbach
21.5. – Tilo Weber and Five Fauns – Dumont, Aachen
15.9. – Tilo Weber and Five Fauns – TBC, Altenburg
October – Premiere of 24 Hokku on a Modern Theme – written for Machair Duo by Sergi Puig Serna – Graz + Barcelona
PREMIERES
as performer
An den Rändern der Risse… in der Lücke das Grün – Max Andrzejewski – Heart Club Regensburg – 17.9.2022.
new commissions for solo bass by Nick Dunston, Yaz Lancaster and Jamie Elless – TBC 2023
as composer/performer
anti-dirge for chamber orchestra and improvising soloist (London Chamber Orchestra) – 23.9.2022. – St John’s Smith Square, London
class-work – 25.10.2022. – Leipziger Jazztage
RELEASES
UPCOMING
TEXTS with Stephanie Lamprea (with guests Nick Dunston, Liz Kosack, Anna Webber, Michaël Attias) – 2023 [listen / preorder]
James Banner: USINE – how it will be after – 2.12.2022 (KLAENG Records) [listen / preorder]
class-work – 2023
Borage (Megan Jowett / James Banner) – transitory – 2023 (WismART Records)
Duos for voice with gamba, percussion and bass – 2023
Bruchgold und Koralle – 2023
Tilo Weber and Five Fauns – 2023 (Malletmuse)
DISCOGRAPHY
Practically Married + João Lopes Pereira – ao Vivo no Café Dias – 2022 (Robalo Music) [listen/buy]
James Banner – solo – 2022 (self-release) [listen/buy]
Max Andrzejewski – Mythos – 2022 (Backlash Music) [listen/buy]
Birgitta Flick Quartet – Miniatures and Fragments – 2022 (Doublemoon/Challenge) [listen/buy]
Meschiya Lake & The New Movement – Looking The World Over – 2022 (Sungroove Records) [listen/buy]
Tilo Weber Quartet: Four Fauns – Faun Renaissance – 2021 (Malletmuse) [listen / buy]
Alex Roth’s MultiTraction Orchestra – Emerge Entangled – 2020 (self-release) [listen / buy]
Stephanie Lamprea – Unaccompanied: Tiny-Works For Quarantine – Vol 1 – 2020 (self-release) [listen/buy]
Practically Married with Will Howard and Jordan Dinsdale – Short Step – 2020 (self-release) [listen / buy]
Practically Married – Inventions In Time Vol. 1 – 2020 (self-release) [listen / buy]
Practically Married – Inventions In Time Vol. 2 – 2020 (self-release) [listen / buy]
Mark Pringle – Book Of Haikus – 2019 (self-release) [listen / buy]
Rachel Sermanni – So It Turns – 2019 (self-release) [listen / buy]
Ancient Infinity Orchestra – Cosmosaic – 2019 (Polyscope) [listen / buy]
James Banner’s USINE – 2018 (JazzHausMusik) [listen / buy]
Practically Married featuring João Lopes Pereira – Circus – 2018 (self-release) [listen / buy]
Stemeseder/Banner/Alunni – WOOD / GUTS – 2018 (self-release) [listen / buy – all proceeds to BLM UK]
Birgitta Flick Quartet – Color Studies – 2018 (Doublemoon/Challenge) [listen / buy]
Liebesfilm – Directed by Emma Rosa Simon und Robert Bohrer [soundtrack] – 2018 [watch preview]
Salome – Directed by Ersan Mondtag [soundtrack] – 2018 [watch preview]
Mark Pringle – A Moveable Feast – 2014 (Stoney Lane) [listen / buy]
PRESS
Portrait by Deutschlandfunk Kultur [DE]
Portrait in Der Tagesspiegel [DE]
Review of The Whitewashed Wall in Cleveland Classical
”a unique and surprising voice on his instrument… a gifted young composer…” – Greg Cohen
“James Banner’s USINE is 45 minutes of unobvious and unpredictable music” – Robert Ratajczak [LongPlay]
”idiosyncratic, „oblique“, intense and humorous” – Nicky Pawlow [Tagesspiegel Berlin]
“not everyone wants to pick a side… James Banner… revels in both the avant-garde and the swing… a musical balancing act” – Martin Böttcher [Deutschlandfunk Kultur]
“If you can throw past preferences overboard, USINE rewards you with a unique sound experience” – Christian Kautz [LikeHiFi Magazine]
“English composer James Banner brings a playful setting of three Thomas Hardy poems. These tunes are light, manic, virtuosic, and full of twists and turns” – John Paul Mayse
“intense and dramatic… gentle and beautiful… characteristic of today’s contemporary jazz with the mixture of structure and freedom, full of drama and strong soloing…” – Tony Dudley-Evans
“By dividing The Whitewashed Wall into three distinct movements, James Banner gives the singer multiple opportunities to show off elements of her virtuosity. “Why does she turn…?” offers leaping contours and a climactic high note, while “Well, once…” imposes a strict, swift tempo onto the melody. “My brush goes one with a rush…”, frenetic and clearly meant to push the singer to the very upper limit of her range, comes off as a controlled detonation” – Cleveland Classical
IMPRINT/IMPRESSUM/GDPR NOTICE
Responsible for the content of this website:
James Banner – info /at/ jamesbanner.com – Berlin, Germany – CONTACT
This site is maintained through the WordPress hosting service. WordPress will place cookies on your computer whilst viewing the site. James Banner is not responsible for the content of advertisements on the site or any cookies or other information that WordPress collects as they are not managed directly, but by WordPress – you are able to opt in or opt out of cookies when first visiting this website. You are entitled to receive a copy of personal data at any time, as well as limit access, correct, delete and limit processing of your personal data, and are entitled to lodge a complaint with a relevant supervisory authority in the EU (GDPR). James Banner does personally not collect, host or store any names, email addresses or IP addresses, except for where you voluntary provide your information via a contact form on the site. The information will be collected only for the purposes described in the form and will not be shared with any third parties – you can opt out from any contact from James Banner by writing an email with the subject line ‘opt out’ to info /at/ jamesbanner.com
James Banner 